Harlem, New York
Friday, March 30, 2012
Thursday, March 29, 2012
New York, New York
More things seen on my morning and evening walks between 30th and 92nd streets on the East Side last weekend.
Meanwhile, over at Kickstarter the action has slowed to a crawl but the occasional sponsor still comes in and the project is now funded at 120%. Thanks to everyone, but please anyone who wants to be a part of it come on in. All additional funds raised will go directly into moving the project into post-production.
Wednesday, March 28, 2012
Bath, New York
But keep those cards and letters coming!
Well, I've always thought there was an audience for my "American Drive-in Theater" project, but I am a bit overwhelmed to have met the goal for travel expenses at something like 17 hours into the first day of the Kickstarter project. I hope people stay interested because with additional funding I'll be able to add a loop down to Florida and the Carolinas. Then, of course, begin to make exhibition prints and design the book version of the project.
Tuesday, March 27, 2012
The Warner, Franklin, West Virginia
A Kickstarter Campaign launched this morning to raise funds to back an enormous road trip to finish shooting my "American Drive-in Theater" project. You can link over to the Kickstarter page here.
There's a video and a text about the fund raising project. Please take a couple minutes to look it over and also spread the word to everyone you think might be interested.
Monday, March 26, 2012
New York, New York
In the "Introduction to Platinum" workshop I teach every few months at CAP, we begin by shooting ten 4x5 negatives of subjects I ask the students to choose from what's available to see from the fifth floor roof of the building on 30th street and the beautiful daylight studio taking shape on the third floor. This is to start the process at the beginning and show how to plan the approach to the pictures so that we'll end up with good platinum/palladium prints. Then I demonstrate how to tray-develop the negatives in PMK pyro. It's amazing how much everyone learns by watching me develop film in total darkness. The resulting negatives are ideal for Pt/Pd, but also print well in silver and are scanner-friendly, so pretty much cover the gamut of what you might want to do to come up with a print. In the weird world of New York's time sense, the day runs from 10AM to 6PM, so when the film is hung up to dry it's about 2:15 and time for lunch break.
After lunch, I demonstrate how to coat a sheet of paper with sensitizer to make a palladium print, and begin to work with our new negatives. Then the participants begin to try coating for themselves. Saturday, by the time we got to that phase, the lab had gotten incredibly dry--about 28% Rh, which makes it just about impossible to make the process work, at least in the way I choose to do it. We struggled through and made a silk purse out of the sow's ear by showing how to cope with less than ideal lab conditions for the process.
When we were putting everything away a little after six, Lindsey, my teaching assistant, and I left a full jug of water going in the steamer, filled the sinks with a two-inch layer of water, and did what we could to raise the humidity overnight. We decided to meet at 9:00 on Sunday to have a full hour to restart the steamer, run hot water into the sinks, etc, etc, to try to get the room up to the 55% humidity level that's a good starting point for the process. Lindsey has to deal with public transit to get in from Brooklyn (while I just had to walk from my crash pad on 92nd street) and so I was standing across the street and a little west of the CAP entrance when I saw an elfin figure racing for the entrance at 9:07...
By the time we got the Sunday session going, we had nearly ideal lab conditions of 71° and 55% humidity, and it held steady right through the day so the participants produced a prodigious number of prints, learning from the mistakes and getting a feel for the process. Bonnie and Charlotte, our two interns, were kept busy with support work, Bonnie doing a great job keeping track of six participants' prints moving properly through the wet processing steps.
A hectic weekend but with some good results I think for the participants, and on the side a lot of shooting for me on those walks between 30th and 92nd streets.
Sunday, March 25, 2012
Saturday, March 24, 2012
Friday, March 23, 2012
This is not what Tina's daffodils normally look like on the twenty-third of March.
I'll be down in New York this weekend, leaving this afternoon, to teach a platinum/palladium workshop at the Center for Alternate Processes. I won't be online till I get back Sunday night, but I've scheduled a new morning post for both days. Since I get to spend hours each evening and morning doing photo walkabout around the city I should have lots of interesting material to post starting Monday.
Thursday, March 22, 2012
Wednesday, March 21, 2012
Tuesday, March 20, 2012
Monday, March 19, 2012
Sunday, March 18, 2012
Saturday, March 17, 2012
Small posters with this picture and basic message have been in shop windows and stapled to phone polls all over the Naugatuck River valley literally for years. Now billboards are showing up. I have trouble making sense of "murdered & missing," but that's probably just because I was an English major. If "missing" applies, how does one know murder is the reason?
Technical point. Don't blame the softness of the detail (100% if you click on the picture) on the superb Lumix 20mm lens—the billboard, not just the snapshot, but the type, is very soft even from a "normal viewing distance" of 500 yards or so.
Clearly there's been a tragedy here, but I wonder if this is really a route to either justice or closure.
Friday, March 16, 2012
Thursday, March 15, 2012
Wednesday, March 14, 2012
Tuesday, March 13, 2012
Monday, March 12, 2012
Sunday, March 11, 2012
Saturday, March 10, 2012
Friday, March 09, 2012
This is an ornamental spout, part of a granite fountain on the grounds of the town hall. No water this time of year of course, though the temperature hit a ridiculous high over 70° F today. Maybe I'll do a companion piece in the summer when the water is running.