This "paired"shot catches my eye. The door to the wall, the rust to the leaves, and the snow to the footprints. How did the pinch and pull of the perspective come about?
Not sure if I understand the question, but I consciously avoid linear analysis while shooting. No reference to 'rules of composition' or color theory. When something catches my eye, I move in looking for the position from which it looks most interesting. Then I select the focal length that takes in what interests me. More often than not that's a moderate wide angle for whatever format I'm using, in this case a 14mm on 4/3s.
Waterville, Connecticut
4 comments:
This "paired"shot catches my eye. The door to the wall, the rust to the leaves, and the snow to the footprints. How did the pinch and pull of the perspective come about?
GT
GT,
Not sure if I understand the question, but I consciously avoid linear analysis while shooting. No reference to 'rules of composition' or color theory. When something catches my eye, I move in looking for the position from which it looks most interesting. Then I select the focal length that takes in what interests me. More often than not that's a moderate wide angle for whatever format I'm using, in this case a 14mm on 4/3s.
I see a monster grinning at me and waiting if I come closer, because it will eat me like the others.
Martin,
Yes, I was lucky to escape with my life, and the CF card...
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