For me, making photographic sense of visually chaotic places is one of the most difficult challenges I face, and one that I most often fail to achieve. You do it admirably here and I look forward to seeing more of this work.
Thanks, Edd. I think I'm just naturally drawn to complexity. I'm not a "less is more" type of thinker. The other side of the coin is that I find pictures with "strong, simple graphics" just plain dull.
This probably is part of the reason I almost always use short lenses. The narrow viewpoint of a long lens oversimplifies things for me. The expansive viewpoint of a short lens gives me plenty of complexity to play with.
It could not better said: "For me, making photographic sense of visually chaotic places is one of the most difficult challenges I face, and one that I most often fail to achieve. You do it admirably here and I look forward to seeing more of this work." wrote Ed Fuller.
This is my experience too, and "Overgrown" is a really fascinating "project".
Waterville, Connecticut
3 comments:
For me, making photographic sense of visually chaotic places is one of the most difficult challenges I face, and one that I most often fail to achieve. You do it admirably here and I look forward to seeing more of this work.
Thanks, Edd. I think I'm just naturally drawn to complexity. I'm not a "less is more" type of thinker. The other side of the coin is that I find pictures with "strong, simple graphics" just plain dull.
This probably is part of the reason I almost always use short lenses. The narrow viewpoint of a long lens oversimplifies things for me. The expansive viewpoint of a short lens gives me plenty of complexity to play with.
It could not better said: "For me, making photographic sense of visually chaotic places is one of the most difficult challenges I face, and one that I most often fail to achieve. You do it admirably here and I look forward to seeing more of this work." wrote Ed Fuller.
This is my experience too, and "Overgrown" is a really fascinating "project".
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