Wednesday, December 07, 2011

LEXINGTON SAREE PALACE

New York, New York

When I'm on the road, working out of my car, I almost never eat in restaurants, as I've mentioned in some posts during my September road trip. But then, when I'm doing that, I'm not in New York City. Around a long corner from CAP there's a cluster of Indian and Pakistani eateries, and all sorts of other ethnic-themed businesses. I'm a little embarrassed to admit that the only one I can recommend is Tiffen Walla, on 28th between Park and Lex. Thing is, I like it so much I haven't tried any of the other nearby places because that would mean, well, not going there. It has an all-vegetarian menu (in the Indian manner, which uses dairy, so it's not vegan) and it's a pleasure to a vegetarian to be able to just order with abandon from a menu I don't understand, without having to figure out which dishes might be meatless, and knowing from experience that anything I order will be wonderful, and just amazingly inexpensive considering we're talking about a restaurant in Manhattan. I always go there on Friday of workshop weekends after meeting with my teaching assistant to set up the facility for the class.

After my curry or dosa, I pull out my small digital camera and begin my walk to a waiting sofa-bed generously made available by friends with an apartment in the lower 90s near Third Ave. About three and a half miles of walking in the halting, stop and start, jittery activity that is locomotion in NYC. With, sometimes, a picture to try for almost anywhere you look. This past weekend, which is several weeks later than the winter workshop I did last year, I learned yet another thing (it never stops, we never know enough) about light. Those three weeks or so made a critical difference and I found far fewer situations where the evening light was something I could work with. It was just too dark, in the sense of not enough supportive, surrounding, light to make pictures that weren't just a few highlights surrounded by black. I know, people have made that a trademark style, but I don't like it. So I have only a few interesting pictures from the weekend.

I thought that the workshop itself went very well. An unusually receptive group—not one of six students had any problem learning the potentially challenging skill of brush coating the Pt/Pd solution onto the paper—and they produced a prodigious number of prints. Some of the prints were good, and all of them offered learning experience.

Tuesday, December 06, 2011

Monday, December 05, 2011

Window View, Early December Morning

New York, New York

Blog Notes: this weekend's plaltinum workshop

New York, New York

The entry at 36 East 30th Street this weekend.


A couple prints from the workshop on the drying screens Sunday afternoon.

Calling the workshop "platinum printing" doesn't get it quite right, because we go through the entire process from start to finish. Saturday morning we begin by shooting ten 4x5 negatives, looking for scenes (on the roof of the workshop building and in the large daylight studio inside) that will demonstrate or test the main attributes of the platinum medium, while I explain how to meter each situation for optimum exposure. Then I develop the film, showing the class how to use the very simple method of tray development in PMK pyro. No fancy equipment needed, just three trays, a water supply, and a darkened room. Saturday afternoon and all day Sunday everyone gets to print from the negatives, learning the basic printing skills and experimenting with different papers and coating formulas to see how they will vary the results from our new negatives.

Saturday, December 03, 2011

Friday, December 02, 2011

Low Tide, and Blog Notes

Bridgeport, Connecticut


Earlier in the week I happened to reach Seaside Park right at low tide which made for some really interesting patterns along the shoreline. You can see Long Island lying along the horizon. I think these also belong in the "winter light" series.

This blog is going on autopilot for the weekend. I'll be in New York teaching an "Introduction to Platinum" workshop at The Center for Alternative Photography. I have to carry so much workshop-related stuff on the train that there's no room for my MacBook, so I won't do any posting from the road. As usual though, along with workshop activities I'll have a chance to do quite a lot of walking around Manhattan with a digital camera and should have lots of new pictures to begin posting on Monday.

Mr. Howe

Bridgeport, Connecticut

The name of the man presented in the statue. He's looking out to the south across Long Island Sound from Seaside Park. Bridgeport is quite a distressed city, but it has this wonderful and very large public park along the sound. There's some damage to the shoreside walkway from hurricane Irene, but overall the park seems to be in good shape.